Her Puff Daddy–produced 1992 debut, What’s the 411?, went multiplatinum, as did many of the hits that followed so far she’s won nine Grammys. Like Weems, the Bronx-born Blige, 46, is a storyteller, and also began her career at 18, when she became the youngest female recording artist to sign with Uptown Records. Blige, the queen of hip-hop soul, best known for her raw, openly autobiographical songs of empowerment, Weems found a towering ally. More recently, in her 2016 series Scenes & Take, she photographed herself standing on the empty stage sets of such TV shows as Empire and Scandal, contemplating the cultural climate that gives rise to commanding black heroines onscreen. State Department, and numerous museum solo shows, including a retrospective in 2014 at New York’s Guggenheim-the museum’s first-ever survey of an African-American female artist. Since that career-defining project, Weems, who lives in Syracuse, New York, has been honored with a MacArthur Foundation “genius grant,” a medal of arts from the U.S. Shot in black and white, with alternating images and panels of text, the series shows the artist at her kitchen table, alone and with others, seated under a hanging lamp, playing cards, chatting with female friends, and hugging a male partner. In her seminal work The Kitchen Table Series (1990), she ruminates on race, class, and gender in an unfolding domestic story in which she appears as the protagonist. Early on she realized that she couldn’t count on others to make the pictures she wanted to see. Weems, who is now 64, first picked up a camera at the age of 18 and over the decades has recast the ways in which black women have been portrayed in images. Long before female empowerment became a nationwide rallying cry, the artist Carrie Mae Weems and the singer-songwriter Mary J.

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